{"id":9912,"date":"2023-08-18T08:30:00","date_gmt":"2023-08-17T22:30:00","guid":{"rendered":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/?p=9912"},"modified":"2023-08-17T08:10:11","modified_gmt":"2023-08-16T22:10:11","slug":"memories-of-burmas-art-scene-in-the-1970s","status":"publish","type":"post","link":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/memories-of-burmas-art-scene-in-the-1970s\/","title":{"rendered":"Memories of Burma\u2019s art scene in the 1970s"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/testblogs.griffith.edu.au\/asiainsights\/tag\/andrew-selth\/\">ANDREW SELTH<\/a>&nbsp; |&nbsp; &nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As one gets older, memories of past times and old friends tend to fade, but they also become more important as milestones along (to resort to clich\u00e9) life\u2019s busy highway. An inventory of my modest art collection recently brought this home to me, as it prompted recollections of my early days in Burma (as Myanmar was then known).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I was posted to the Australian embassy in Rangoon (now Yangon) as Third Secretary in January 1974. I lived in Burma (as Myanmar was then known) for two and a half years, leaving in August 1976. I did not fully appreciate it at the time, but I was there during a period of considerable movement in the local art scene, which I first stumbled across by accident, but later came to embrace.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The main reason for my developing interest in this subject was my friendship with Sun Myint and his two sisters, Tin Tin Sann and Khin Myint Myint. All three were very talented artists, who together had a major and lasting impact on the local art scene. I also became good friends with another noted Burmese artist (and author), Ma Thanegi.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Not long after my arrival in Rangoon, I was invited to dinner by the diplomat I was due to replace. He wanted to give me an opportunity to inspect the bungalow on Monkey Point Road (now Thanhlyet Soon Road) where I was to live during my posting. It had originally been built for the manager of the oxygen gas factory nearby, and consisted of two bedrooms and a kitchen\/laundry surrounding a large open plan living\/dining room.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This design was well suited to the tropical climate and to the lifestyle expected of a national representative. However, the large open area, characterised by high ceilings, broad archways and white walls, seemed to me rather stark and empty. When I remarked on this fact, my host explained that he had covered the walls with paintings by local artists, but they had already been packed away in preparation for his return to Australia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">It was then that I decided to search for suitable artworks of my own to decorate the house, liven up the atmosphere of the main living areas and provide me with some original souvenirs of my first overseas posting.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Please click here to read the full &#8220;<a href=\"https:\/\/www.newmandala.org\/burma-art-1970s\/\">Memories of Burma\u2019s art scene in the 1970s<\/a>&#8221; article published at New Mandalay, written by Griffith Asia Institute Adjunct Professor Andrew Selth.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ANDREW SELTH&nbsp; |&nbsp; &nbsp;&nbsp; As one gets older, memories of past times and old friends tend to fade, but they also become more important as milestones along (to resort to clich\u00e9) life\u2019s busy highway. An inventory of my modest art collection recently brought this home to me, as it prompted recollections of my early days [&hellip;]<\/p>\n","protected":false},"author":14,"featured_media":9913,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"","_lmt_disable":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[247],"tags":[1672,279,369],"class_list":["post-9912","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-indonesia-and-southeast-asia","tag-andrew-selth","tag-burma","tag-myanmar"],"acf":[],"modified_by":null,"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Memories of Burma\u2019s art scene in the 1970s | Griffith Asia Insights<\/title>\n<meta name=\"description\" content=\"ANDREW SELTH&nbsp; |&nbsp; &nbsp;&nbsp; As one gets older, memories of past times and old friends tend to fade, but they also become more important as\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/testblogs.griffith.edu.au\/asiainsights\/memories-of-burmas-art-scene-in-the-1970s\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Memories of Burma\u2019s art scene in the 1970s | Griffith Asia Insights\" \/>\n<meta property=\"og:description\" content=\"ANDREW SELTH&nbsp; |&nbsp; &nbsp;&nbsp; As one gets older, memories of past times and old friends tend to fade, but they also become more important as\" \/>\n<meta property=\"og:url\" content=\"https:\/\/testblogs.griffith.edu.au\/asiainsights\/memories-of-burmas-art-scene-in-the-1970s\/\" \/>\n<meta property=\"og:site_name\" content=\"Griffith Asia Insights\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/griffithasiainstitute\/\" \/>\n<meta property=\"article:published_time\" content=\"2023-08-17T22:30:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/blogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2023\/08\/Myanmar-art.jpg?fit=900%2C500&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"900\" \/>\n\t<meta property=\"og:image:height\" content=\"500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Griffith Asia Institute\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@GAIGriffith\" \/>\n<meta name=\"twitter:site\" content=\"@GAIGriffith\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Griffith Asia Institute\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/memories-of-burmas-art-scene-in-the-1970s\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/memories-of-burmas-art-scene-in-the-1970s\\\/\"},\"author\":{\"name\":\"Griffith Asia Institute\",\"@id\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/#\\\/schema\\\/person\\\/8121b8aa336749474cbaca380c03029a\"},\"headline\":\"Memories of Burma\u2019s art scene in the 1970s\",\"datePublished\":\"2023-08-17T22:30:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/memories-of-burmas-art-scene-in-the-1970s\\\/\"},\"wordCount\":424,\"publisher\":{\"@id\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/memories-of-burmas-art-scene-in-the-1970s\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/wp-content\\\/uploads\\\/sites\\\/2\\\/2023\\\/08\\\/Myanmar-art.jpg\",\"keywords\":[\"Andrew Selth\",\"Burma\",\"Myanmar\"],\"articleSection\":[\"Region | Indonesia and Southeast Asia\"],\"inLanguage\":\"en-AU\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/memories-of-burmas-art-scene-in-the-1970s\\\/\",\"url\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/memories-of-burmas-art-scene-in-the-1970s\\\/\",\"name\":\"Memories of Burma\u2019s art scene in the 1970s | Griffith Asia Insights\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/memories-of-burmas-art-scene-in-the-1970s\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/memories-of-burmas-art-scene-in-the-1970s\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/wp-content\\\/uploads\\\/sites\\\/2\\\/2023\\\/08\\\/Myanmar-art.jpg\",\"datePublished\":\"2023-08-17T22:30:00+00:00\",\"description\":\"ANDREW SELTH&nbsp; |&nbsp; &nbsp;&nbsp; As one gets older, memories of past times and old friends tend to fade, but they also become more important as\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/memories-of-burmas-art-scene-in-the-1970s\\\/#breadcrumb\"},\"inLanguage\":\"en-AU\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/memories-of-burmas-art-scene-in-the-1970s\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-AU\",\"@id\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/memories-of-burmas-art-scene-in-the-1970s\\\/#primaryimage\",\"url\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/wp-content\\\/uploads\\\/sites\\\/2\\\/2023\\\/08\\\/Myanmar-art.jpg\",\"contentUrl\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/wp-content\\\/uploads\\\/sites\\\/2\\\/2023\\\/08\\\/Myanmar-art.jpg\",\"width\":900,\"height\":500,\"caption\":\"Painting by Tin Tin Sann (Photo supplied)\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/memories-of-burmas-art-scene-in-the-1970s\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Memories of Burma\u2019s art scene in the 1970s\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/#website\",\"url\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/\",\"name\":\"Griffith Asia Insights\",\"description\":\"Asia Insights is published by the Griffith Asia Institute. It offers latest commentary on Asia-Pacific affairs and aims to inform and foster academic scholarship, public awareness and considered and responsive policy making.\",\"publisher\":{\"@id\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-AU\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/#organization\",\"name\":\"Griffith Asia Institute\",\"url\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-AU\",\"@id\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/blogs.griffith.edu.au\\\/asiainsights\\\/wp-content\\\/uploads\\\/sites\\\/2\\\/2023\\\/10\\\/GU_Griffith-Asia-Institute_rgb_red_horizontal.png?fit=2930%2C308&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/blogs.griffith.edu.au\\\/asiainsights\\\/wp-content\\\/uploads\\\/sites\\\/2\\\/2023\\\/10\\\/GU_Griffith-Asia-Institute_rgb_red_horizontal.png?fit=2930%2C308&ssl=1\",\"width\":2930,\"height\":308,\"caption\":\"Griffith Asia Institute\"},\"image\":{\"@id\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/griffithasiainstitute\\\/\",\"https:\\\/\\\/x.com\\\/GAIGriffith\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/#\\\/schema\\\/person\\\/8121b8aa336749474cbaca380c03029a\",\"name\":\"Griffith Asia Institute\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-AU\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/f133de65681da3b20ddbc1917f066f458d355d7dfa1f214b10ff4bd135d5ab6c?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/f133de65681da3b20ddbc1917f066f458d355d7dfa1f214b10ff4bd135d5ab6c?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/f133de65681da3b20ddbc1917f066f458d355d7dfa1f214b10ff4bd135d5ab6c?s=96&d=mm&r=g\",\"caption\":\"Griffith Asia Institute\"},\"url\":\"https:\\\/\\\/testblogs.griffith.edu.au\\\/asiainsights\\\/author\\\/gaigriffith-edu-au\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Memories of Burma\u2019s art scene in the 1970s | Griffith Asia Insights","description":"ANDREW SELTH&nbsp; |&nbsp; &nbsp;&nbsp; As one gets older, memories of past times and old friends tend to fade, but they also become more important as","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/memories-of-burmas-art-scene-in-the-1970s\/","og_locale":"en_US","og_type":"article","og_title":"Memories of Burma\u2019s art scene in the 1970s | Griffith Asia Insights","og_description":"ANDREW SELTH&nbsp; |&nbsp; &nbsp;&nbsp; As one gets older, memories of past times and old friends tend to fade, but they also become more important as","og_url":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/memories-of-burmas-art-scene-in-the-1970s\/","og_site_name":"Griffith Asia Insights","article_publisher":"https:\/\/www.facebook.com\/griffithasiainstitute\/","article_published_time":"2023-08-17T22:30:00+00:00","og_image":[{"width":900,"height":500,"url":"https:\/\/i0.wp.com\/blogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2023\/08\/Myanmar-art.jpg?fit=900%2C500&ssl=1","type":"image\/jpeg"}],"author":"Griffith Asia Institute","twitter_card":"summary_large_image","twitter_creator":"@GAIGriffith","twitter_site":"@GAIGriffith","twitter_misc":{"Written by":"Griffith Asia Institute","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/memories-of-burmas-art-scene-in-the-1970s\/#article","isPartOf":{"@id":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/memories-of-burmas-art-scene-in-the-1970s\/"},"author":{"name":"Griffith Asia Institute","@id":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/#\/schema\/person\/8121b8aa336749474cbaca380c03029a"},"headline":"Memories of Burma\u2019s art scene in the 1970s","datePublished":"2023-08-17T22:30:00+00:00","mainEntityOfPage":{"@id":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/memories-of-burmas-art-scene-in-the-1970s\/"},"wordCount":424,"publisher":{"@id":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/#organization"},"image":{"@id":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/memories-of-burmas-art-scene-in-the-1970s\/#primaryimage"},"thumbnailUrl":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2023\/08\/Myanmar-art.jpg","keywords":["Andrew Selth","Burma","Myanmar"],"articleSection":["Region | Indonesia and Southeast Asia"],"inLanguage":"en-AU"},{"@type":"WebPage","@id":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/memories-of-burmas-art-scene-in-the-1970s\/","url":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/memories-of-burmas-art-scene-in-the-1970s\/","name":"Memories of Burma\u2019s art scene in the 1970s | Griffith Asia Insights","isPartOf":{"@id":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/#website"},"primaryImageOfPage":{"@id":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/memories-of-burmas-art-scene-in-the-1970s\/#primaryimage"},"image":{"@id":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/memories-of-burmas-art-scene-in-the-1970s\/#primaryimage"},"thumbnailUrl":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2023\/08\/Myanmar-art.jpg","datePublished":"2023-08-17T22:30:00+00:00","description":"ANDREW SELTH&nbsp; |&nbsp; &nbsp;&nbsp; As one gets older, memories of past times and old friends tend to fade, but they also become more important as","breadcrumb":{"@id":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/memories-of-burmas-art-scene-in-the-1970s\/#breadcrumb"},"inLanguage":"en-AU","potentialAction":[{"@type":"ReadAction","target":["https:\/\/testblogs.griffith.edu.au\/asiainsights\/memories-of-burmas-art-scene-in-the-1970s\/"]}]},{"@type":"ImageObject","inLanguage":"en-AU","@id":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/memories-of-burmas-art-scene-in-the-1970s\/#primaryimage","url":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2023\/08\/Myanmar-art.jpg","contentUrl":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2023\/08\/Myanmar-art.jpg","width":900,"height":500,"caption":"Painting by Tin Tin Sann (Photo supplied)"},{"@type":"BreadcrumbList","@id":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/memories-of-burmas-art-scene-in-the-1970s\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/"},{"@type":"ListItem","position":2,"name":"Memories of Burma\u2019s art scene in the 1970s"}]},{"@type":"WebSite","@id":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/#website","url":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/","name":"Griffith Asia Insights","description":"Asia Insights is published by the Griffith Asia Institute. It offers latest commentary on Asia-Pacific affairs and aims to inform and foster academic scholarship, public awareness and considered and responsive policy making.","publisher":{"@id":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-AU"},{"@type":"Organization","@id":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/#organization","name":"Griffith Asia Institute","url":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/","logo":{"@type":"ImageObject","inLanguage":"en-AU","@id":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/blogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2023\/10\/GU_Griffith-Asia-Institute_rgb_red_horizontal.png?fit=2930%2C308&ssl=1","contentUrl":"https:\/\/i0.wp.com\/blogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2023\/10\/GU_Griffith-Asia-Institute_rgb_red_horizontal.png?fit=2930%2C308&ssl=1","width":2930,"height":308,"caption":"Griffith Asia Institute"},"image":{"@id":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/griffithasiainstitute\/","https:\/\/x.com\/GAIGriffith"]},{"@type":"Person","@id":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/#\/schema\/person\/8121b8aa336749474cbaca380c03029a","name":"Griffith Asia Institute","image":{"@type":"ImageObject","inLanguage":"en-AU","@id":"https:\/\/secure.gravatar.com\/avatar\/f133de65681da3b20ddbc1917f066f458d355d7dfa1f214b10ff4bd135d5ab6c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/f133de65681da3b20ddbc1917f066f458d355d7dfa1f214b10ff4bd135d5ab6c?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/f133de65681da3b20ddbc1917f066f458d355d7dfa1f214b10ff4bd135d5ab6c?s=96&d=mm&r=g","caption":"Griffith Asia Institute"},"url":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/author\/gaigriffith-edu-au\/"}]}},"jetpack_featured_media_url":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2023\/08\/Myanmar-art.jpg","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":989,"url":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/burma-since-the-1988-uprising\/","url_meta":{"origin":9912,"position":0},"title":"Burma (Myanmar) since the 1988 uprising: A select bibliography, 2nd Edition","author":"Griffith Asia Institute","date":"26 November 2015","format":false,"excerpt":"By Andrew Selth, Griffith Asia Institute, Griffith University PUBLISHED BY: Griffith University ISBN: 9781922216717 PUBLICATION DATE: 2015 Read the digital version of the bibliography A bibliography is never complete. No matter how conscientious the compiler there will always be gaps and scope for additions, particularly to select bibliographies. In this\u2026","rel":"","context":"In &quot;New book&quot;","block_context":{"text":"New book","link":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/category\/publication\/new-book\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2015\/11\/Burma-Bibliography-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2015\/11\/Burma-Bibliography-2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2015\/11\/Burma-Bibliography-2.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2015\/11\/Burma-Bibliography-2.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":9984,"url":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/the-first-casualty-of-war-is-the-truth-myanmar-casualty-statistics-may-be-skewed\/","url_meta":{"origin":9912,"position":1},"title":"The first casualty of war is the truth: Myanmar casualty statistics may be skewed","author":"Griffith Asia Institute","date":"20 September 2023","format":false,"excerpt":"ANDREW SELTH\u00a0 |\u00a0 \u00a0\u00a0Since the latest civil war began in Myanmar in 2021, elements of the opposition movement have been making increasingly bold claims about its battlefield successes and the problems facing the military regime. Some of these claims need to be treated very carefully.","rel":"","context":"In &quot;Region | Indonesia and Southeast Asia&quot;","block_context":{"text":"Region | Indonesia and Southeast Asia","link":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/category\/indonesia-and-southeast-asia\/"},"img":{"alt_text":"Myanmar Armed Forces Day, 2021","src":"https:\/\/i0.wp.com\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2023\/09\/myanmar-military-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2023\/09\/myanmar-military-2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2023\/09\/myanmar-military-2.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2023\/09\/myanmar-military-2.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":10010,"url":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/myanmar-military-nuclear-ambitions-fact-or-fiction\/","url_meta":{"origin":9912,"position":2},"title":"Myanmar military nuclear ambitions: Fact or fiction?","author":"Griffith Asia Institute","date":"28 September 2023","format":false,"excerpt":"ANDREW SELTH\u00a0 |\u00a0 \u00a0 A front page\u00a0story\u00a0in the Sydney Morning Herald in 2009 confidently predicted that within five years Myanmar would have its own nuclear weapon and be capable of producing one atom bomb every year thereafter, if all went according to plan. The story, by two respected Myanmar watchers,\u2026","rel":"","context":"In &quot;Commentary&quot;","block_context":{"text":"Commentary","link":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/category\/publication\/commentary\/"},"img":{"alt_text":"Myanmar pagodas","src":"https:\/\/i0.wp.com\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2023\/09\/myanmar.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2023\/09\/myanmar.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2023\/09\/myanmar.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2023\/09\/myanmar.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":6425,"url":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/the-rise-of-sophisticated-authoritarianism-in-south-east-asia\/","url_meta":{"origin":9912,"position":3},"title":"The rise of sophisticated authoritarianism in South East Asia","author":"Griffith Asia Institute","date":"23 September 2019","format":false,"excerpt":"With a majority of countries in South East Asia currently under autocratic leadership and little history of liberal democracy in the region, Dr Lee Morgenbesser has found that the region\u2019s penchant for authoritarianism is stable and the level of sophistication is increasing \u2013 which is a concern for champions of\u2026","rel":"","context":"In &quot;Region | Indonesia and Southeast Asia&quot;","block_context":{"text":"Region | Indonesia and Southeast Asia","link":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/category\/indonesia-and-southeast-asia\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2019\/09\/EE3WjYlU8AABldT.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2019\/09\/EE3WjYlU8AABldT.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2019\/09\/EE3WjYlU8AABldT.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2019\/09\/EE3WjYlU8AABldT.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":9989,"url":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/duelling-battle-networks-the-new-equilibrium\/","url_meta":{"origin":9912,"position":4},"title":"Duelling battle networks: The new equilibrium","author":"Griffith Asia Institute","date":"21 September 2023","format":false,"excerpt":"PETER LAYTON | With digital technology omnipresent, future major wars will most likely pivot around duelling battle networks. These complicated systems represent unique target sets best attacked through using system of system thinking and emerging ideas of cognitive warfare. Particularly given China\u2019s \u201csystems confrontation\u201d focus, attacking battle networks is an\u2026","rel":"","context":"In &quot;Region | China and Northeast Asia&quot;","block_context":{"text":"Region | China and Northeast Asia","link":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/category\/china-and-north-east-asia\/"},"img":{"alt_text":"Dark red technological map of the world with luminous dots, global information network on a digital screen","src":"https:\/\/i0.wp.com\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2023\/09\/Defence-technology-network.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2023\/09\/Defence-technology-network.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2023\/09\/Defence-technology-network.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2023\/09\/Defence-technology-network.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":10376,"url":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/perspectivesasia-australias-pivot-to-india\/","url_meta":{"origin":9912,"position":5},"title":"Perspectives:Asia | Australia\u2019s pivot to India","author":"Griffith Asia Institute","date":"9 November 2023","format":false,"excerpt":"PERSPECTIVES:ASIA\u00a0|\u00a0ANDREW CHARLTON \u00a0| https:\/\/www.youtube.com\/watch?v=wyZ57trQKAc India is on the rise to become the next global superpower, with a population expected to be larger than the United States and China combined by 2050. For Australia, India has emerged as a new partner offering hope for a more secure and balanced region. The\u2026","rel":"","context":"In &quot;Event - Perspectives:Asia&quot;","block_context":{"text":"Event - Perspectives:Asia","link":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/category\/events\/perspectives-asia\/"},"img":{"alt_text":"(L-R) Simon Elliot, Deputy Director, Collection and Exhibitions at QAGOMA, Dr Andrew Charlton, Member of Parliament for Parramatta and Professor Christoph Nedopil Wang, Director, Griffith Asia Institute, Griffith University. (Image: Chlo\u00eb Callistemon)","src":"https:\/\/i0.wp.com\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2023\/12\/Perspectives-banner-9-11-23.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2023\/12\/Perspectives-banner-9-11-23.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2023\/12\/Perspectives-banner-9-11-23.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2023\/12\/Perspectives-banner-9-11-23.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"jetpack_likes_enabled":true,"featured_image_thumbnail_url":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/wp-content\/uploads\/sites\/2\/2023\/08\/Myanmar-art.jpg","_links":{"self":[{"href":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/wp-json\/wp\/v2\/posts\/9912","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/wp-json\/wp\/v2\/comments?post=9912"}],"version-history":[{"count":0,"href":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/wp-json\/wp\/v2\/posts\/9912\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/wp-json\/wp\/v2\/media\/9913"}],"wp:attachment":[{"href":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/wp-json\/wp\/v2\/media?parent=9912"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/wp-json\/wp\/v2\/categories?post=9912"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/testblogs.griffith.edu.au\/asiainsights\/wp-json\/wp\/v2\/tags?post=9912"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}